Without fail, at least once a month I peruse my DVD collection looking for a solid film focused on a female star -- a film where the woman is smart and successful, a film that focuses on something other than her romantic foibles. It's like I think wishing for there to be more films that fit "The Rule" will create a whole slew of new selections in my library. If only ... But there aren't a horde of these films to pick from, so that often means picking something of the romantic variety, often with a side of comedy.

But oh, the woes of romantic comedies. These days the term usually meets the following criteria: women acting irrationally, men being jerky, unbelievable occurrences taking place over and over again -- you know, all those super-fun stereotypes that every damn romcom these days seems to latch onto.

However, there are some romantic comedies out there that cater to those outside the throngs who thrive on fashion-obsessed ladies and relationship stereotypes. Sure, the films might get sappy or take an easy laugh here or there, but they also showcase a variety of relationships and romantic scenarios without falling into that typical void. These films work for a variety of themes -- the fantasy, the lesbians, the intellectuals, the music lovers, the single people, the passion fiends, and the lovers of foreign film -- and prove that romance is about a lot more engaging, and a lot more real, than many movies might suggest.

Today will be partly cloudy with a chance of kick ass!

The Hobbit: Not long ago Guillermo Del Toro told fans that his next move was to begin work on The Hobbit script very soon. Well guess what? To our complete shock and surprise, the dude actually followed through on all this "writing script nonsense" and -- wait for it -- started working on the script. YES! And this is, like, the BIGGEST news online today. "NEWSFLASH: Del Toro is on page 12 and he's already introduced 750 new creatures!" I give up ... call me in 12 years when the film is finally complete and ready to hit theaters.

The Dark Knight: You've watched the movie countless times, followed hundreds of viral sites, read thousands of stories on Heath Ledger and why he deserves to square off against Jesus up in heaven for a chance to be God's new (and much more well-liked) son -- so, what's left? Well, if you still haven't overdosed on The Dark Knight and/or are in desperate need of another Batman fix, feel free to feast your eyes on the film's script. Yes, JoBlo managed to snag a copy of the entire thing (read it here) for you to save, print out and do whatever it is you freaks do with stuff like that. Personally, I enjoyed reading it to see where they trimmed and cut and called Wonder Woman a whore. Kidding! Just wanna make sure you're paying attention.

Poltergeist remake: Because in this one she's watching a reality show, gets pulled into the television and subsequently bores herself to death. [Writes down notes for Poltergeist 2 pitch ...] Anyway, THR tells us that Boogeyman writers Juliet Snowden and Stiles "I wonder how many Teen Wolf jokes he got growing up" White will pen the script for the remake of this classic spooky flick. "Too soon!" yelled a nobody movie blogger, but alas it was too late.

If you're one of the many moviegoers who loved Mamma Mia!, perhaps you thought the only thing missing from the experience was the shrill sound of your fellow audience members screaming the lyrics of "Dancing Queen" along with Meryl Streep and her lady friends. Well, Universal Pictures has read your mind, and Mamma Mia!: The Sing-Along Edition will open on Aug. 29 in select theaters. It'll be the same movie, only with all the musical numbers subtitled and audience members encouraged to join in on the vocals.

All we have so far is a press release from Universal, which doesn't say how many theaters the sing-along edition will be in. You are encouraged to visit the Mamma Mia! website for updates, however. These will be regular screenings at regular movie theaters for the regular prices; all that's different is that the lyrics will be on the screen, karaoke-style. And the best part is, even if you're a terrible singer, you can take comfort in knowing you're still better than Pierce Brosnan.

ABBA's music is famous for being catchy, and as a result many people overlook the actual words. This sing-along event will be an opportunity to really notice and pay attention to the subtle complexities of lines like this, from "Money, Money, Money":

In my dreams I have a plan
If I got me a wealthy man
I wouldn't have to work at all
I'd fool around and have a ball

Hooray for girl power and rhyming!

Prior to our interview with Anna Faris earlier today, Cinematical managed to spend some time with three of her co-stars in The House Bunny, namely Rumer Willis, Emma Stone and Katharine McPhee (who's recording an album now for a Spring '09 release, in case you happen to be a die hard McPhee nerd). And, yes, it's true what they say about sitting next to an American Idol finalist -- those butterflies in your stomach are real and they desperately want (and need) to hear a Whitney Houston cover for some odd reason.

In speaking with Rumer Willis about her upcoming projects, she mentioned that her mother, Demi Moore, had just finished work on her directorial debut -- a short film for Glamour Reel Moments called Streak. While Willis was tight-lipped on the film's plot, she did say it starred herself, Brittany Snow and Sarah Wright (who also has a role in The House Bunny). Other women who've directed shorts for GRM include Jennifer Aniston, Bryce Dallas Howard and Gwyneth Paltrow. You can find out more about the program over on its official website, and one imagines we'll catch Streak a little later this year.

If you were looking for a good way to kill some time at work today, I have just the thing: a fiendish, frustrating puzzle!

The folks at Empire Online have devised a quiz wherein you are asked to identify a movie based only on one letter taken from its poster. The quiz looks like a ransom note -- "CAN YOU GUESS ALL THESE MOVIES FROM JUST THESE LETTERS?" -- and you basically have to recognize the fonts, though in some cases there are other clues, too. That "S" has a period after it ... or is it a bullet hole? The "O" seems to be spotted. Why is there a hand in that "A"?

I didn't think I'd do very well, but I wound up getting a lot of them. (I'd know that "J" anywhere!) It helps that a lot of the films are fairly recent and that none of them are obscure. Many are Oscar-winners and/or box-office champs. Use your powers of recall, your powers of deduction (why is there a quotation mark with the "G"?), and your powers of wasting time on the Internet.

Ever since McG was announced as director of Terminator Salvation, he's taken on this rather endearing, apologetic, puppy-dog attitude, assuring fans that he takes the franchise seriously, and even apologizing for the absurdity of his trade name. It would have worked much better on me had I not sat through We Are Marshall, but it does make me want to give the guy the benefit of the doubt, especially given how badly I want this sequel to be good.

The filmmaker's newest gambit: showing us just how seriously he takes the Terminator franchise. Just how seriously? So seriously, he says, that he distributed copies of Cormac McCarthy's arty, ultra-depressing The Road to his cast, hoping that the novel would help the actors understand the "existential detachment" that comes with living in a post-apocalyptic environment. MTV has a bit more from the director.

I wrote a column on The Road a while back; it's a powerful, upsetting novel, pretty un-Terminator-like in its depiction of an empty, decidedly cyborg-free post-apocalypse. It's hard to take seriously the notion that an entry in the Terminator franchise -- a PG-13 entry at that -- could really draw much inspiration from that book (which is, of course, getting its own bona-fide adaptation later this year), but again: it's endearing, and a bit heartening, to see McG trying so hard.

When Warner Bros. announced last Thursday that Harry Potter and the Half-Blood Prince had been pushed back from Nov. 21 to next July, hardcore fans immediately entered the five stages of nerd grief. So far we've worked our way through denial, anger, semi-literate Internet ranting, and conspiracy-theorizing. All that's left is acceptance, where we go ahead and watch the movie when it comes out next summer and forget any of this ever happened.

In the meantime, several myths about the date change have popped up, and we'd like to help separate fact from fiction.

MYTH #1: Half-Blood Prince was moved because WB was scared of Twilight.
According to some people who are fans of the Twilight novel and pre-fans of the Twilight movie, WB got nervous about Harry Potter coming out just three weeks before the teen-vampire chick flick, fearing it would siphon off too much of Harry's audience.

Most observers believe Twilight will indeed be a hit, but come on. The Harry Potter franchise the most lucrative in film history, with a total worldwide box-office gross so far of $4.5 billion. There's no reason for WB to fear any competition, no matter how formidable. Also, most of Harry Potter's income is from overseas, where Twilight, still largely a U.S. phenomenon, cannot hope to compete.

Plus, if Half-Blood Prince came out Nov. 21 and followed the usual pattern, it would have already made most of its projected income by the time Twilight showed up on Dec. 12 anyway. Three weeks is a huge gap in our modern, front-loaded, it's-all-about-opening-weekend movie culture. If there had only been one week between them, then maybe you'd have something.

While Heath Ledger's role as Joker in The Dark Knight might go down as his last (and greatest) complete role, technically his final performance will come in Terry Gilliam's The Imaginarium of Dr. Parnassus. In a weird way it's almost fitting that Gilliam -- who's been cursed for years now -- would wind up being the filmmaker to last work with Ledger. Not only has Ledger's next-to-last film broken almost every box office record to date, but folks are so afraid of a Gilliam flick that even with the marketing machine that is the death of Heath Ledger, Hollywood still doesn't want to go near Dr. Parnassus.

A story in The Hollywood Reporter last week claims Ledger could be in a "position of having one of the biggest- grossing movies in Hollywood history out at the same time he's in a movie hunting for an domestic distribution deal." And the scary part of this is that when Ledger passed away, Hollywood heavyweights like Johnny Depp, Jude Law and Colin Farrell stepped in to finish the film for their deceased friend. With ALL THAT, it's still a risky movie to get behind. One "distribution guru" added, "For all the elements in this film, it is a Terry Gilliam picture, and as much as you want a movie of his to be good, you have to be careful." Poor Gilliam ... the guy just can't catch a break.

Well, unless you want to see Dr. Parnassus. Wouldn't it be kinda spooky if one death helped revive another's career? If we, as an audience, had the ability to choose between the doom and gloom of mourning an actor's death or the light and joy that comes with helping a beloved filmmaker get back on track?

Unfortunately, I did not manage to catch this extended TV spot for The Curious Case of Benjamin Button during NBC's Olympic coverage, though, luckily, one person did. I imagine this will eventually become the film's second trailer, and it'll hopefully arrive online in a higher quality at some point this week, but for the time being you can scope out a somewhat decent (except for the annoying beeps here and there) video of the spot above (courtesy of The Tube).

Some of what's included here is also in the film's first trailer (catch that in HD on the flick's official website), but we also have a bunch more dialogue, tons of amazing visuals and .... well, watch for yourself. While you never know what the final product will deliver, I can say this film is showing some tremendous, buzz-worthy promise right now -- especially with a director like David Fincher and a cast that includes Brad Pitt and Cate Blanchett (last time these two shared the screen, Babel was nominated for seven Oscars). Needless to say, I'm preemptively putting this on my top ten list for 2008 and crossing my fingers at the same time.

The Curious Case of Benjamin Button arrives in theaters on December 19.