The wonderful geeks over on MTV's Splash Page chased down all the above, and asked them what they thought about the studio's latest plans for the Man of Steel. The funniest and most extreme reaction isn't Smith's, it's Golden's! "How stupid is that? That announcement made my head spin . . . Making a dark and gritty Superman movie because Dark Knight made a ton of money is incredibly stupid." Oddly, Smith is actually more tempered in his comments, and that he was all for a reboot. "You always have to always keep Superman very distinct from Batman ... Superman is about the hope in people, the good in people, whereas Batman is about the more driven, hungry for justice angry side of us. [So] I don't know if doing a dark Superman is the approach."
The lone dissenting voice is Seagle, not surprising from the man who penned It's a Bird ... and feels that Superman has always been a dark character. "Heroic struggles are basically all dark in tone. The idea of 'villains' implies something bad happening to good people most of the time, and that's dark. Heroes look brighter emerging from dire consequence successfully." Ultimately, I think Waid's the man who speaks for the majority of us in arguing that you can make Superman's world darker, but not the character, who's "a creature of hope." If Warner Bros goes in that direction, I can get behind it. A bright and shining Superman against a depraved and unjust world might be just what the reboot ordered.
Considering the lengths to which the Tropic Thunder gang went to sell all of their Hollywood fakery, it comes as little surprise that the mock making-of Rain of Madness does exist beyond a mere trailer (embedded above, and probably not kid-friendly) and website. However, while I'm sure it'll be included on the eventual DVD, who's really going to wait that long when it's currently available as a free iTunes exclusive?
That's right: for thirty minutes and zero dollars (yep), one can follow filmmaker Jan Jürgen (co-writer Justin Theroux, acting as if making Werner Herzog's Werner Herzog were making Hearts of Darkness) as he chronicles the expensive chaos that went behind making the movie within the movie. Star/director/co-writer/probable caterer Ben Stiller explained in a recent press release: "We wanted to do a fake documentary about the making of the movie within the movie which is called "Tropic Thunder" -- not the actual movie "Tropic Thunder". The fake documentary focuses on the real movie's fake director, and what happens to the fake cast before they go into the real jungle. It's pretty straightforward."
Well, I know who I am. I'm the dude playing the dude currently downloading this S.O.B. Any of you who follow suit, share your thoughts below.
For those concerned commenters, I'm well aware that Werner Herzog did not, in fact, direct Hearts of Darkness. However, Mr. Theroux is behaving as if he were Mr. Herzog and, as such, proceeded to make a film not unlike the doc actually made by Fax Bahr and George Hickenlooper.
What I didn't know was how to directly link to any items made available through the iTunes store. I still don't, but I do appreciate the considerate ones below who were both helpful and tactful in passing the direct iTunes link on - namely, Niraj and not the exceedingly impatient Marcos.
It really seemed like we were finally going to get Garth Ennis' Preacher this time -- the dark, funny, and controversial comic book series seemed perfect for HBO. Isn't that what they do, after all?
Apparently not. Mark Steven Johnson told Comics Continuum that they've passed on the series. "We were budgeting and everything and it was getting really close to going. But the new head of HBO felt it was just too dark and too violent and too controversial. Which, of course, is kind of the point! It was a very faithful adaptation of the first few books, nearly word for word. They offered me the chance to redevelop it but I refused. I've learned my lesson on that front and I won't do it again. So I'm afraid it's dead at HBO."
But, Johnson says that he's heard that someone is trying to obtain the rights for a big screen adaptation, and that he hopes it happens -- and that whoever nabs it can do the stories justice in a series of films. "Someone" doesn't narrow it down much, but shall we let our imaginations run wild? Frankly, in this world where the legendarily un-filmable (Lord of the Rings, Watchmen) is being made every day, I can't believe Preacher remains untouched. Isn't every studio dying for its own mature comic franchise? Isn't there a daring young filmmaker who's just dying to be boycotted, picketed, and harassed? Aren't we constantly hearing that all publicity, no matter how bad and hysterical, is desirable? Let's put it to the test. Whoever that "someone" is that's angling for the rights, may they succeed, and get Preacher on the big screen.
Spike Lee and Disney might sound like a pretty odd combination, but I don't really see it that way. (Lest we forget that the excellent 25th Hour was a Disney production.) Love the guy or not, Spike Lee has turned into quite the eclectic filmmaker over the last few decades -- and so when I heard that the guy was helming a $50 million WWII drama for Disney, I was intrigued but not surprised. Based on the book by James McBride -- and adapted for the screen by same -- Miracle at St. Anna tells the tale of four black soldiers who find themselves stuck behind enemy lines in Italy.
I'm not one of those waiting for Transformers 2: Revenge of the Fallen with a whole lot of anticipation. I feel bad about saying that, but let's face it, Transformers passed me right by as I was playing with Strawberry Shortcake. Many have tried to re-educate me on the awesomeness of Optimus Prime, and failed.
Nevertheless, even I have to admit it's pretty cool when a screenwriter drops in among their fans for a good sequel chat. That's what Robert Orci, one of the scriptwriters for Transformers 1 and 2, has done over at Transformer World 2005. The dedicated can sift through what is currently 82(!) pages of script Q&A, by the time you read this, it will probably be 182. Much of it is hints as to which robots might factor into the sequel -- including a tease that Arcee, the girl Transformer, might appear. On the other hand, he's careful to remind fans that anything you hear about the film is probably careful disinformation, but well meant. "It is fun to 'play' with fandom, not to toy with fandom -- I do not hand out disinformation."
But there's a few reliable sounding bits in here. According to Orci, the sequel will be more "global" in scale, and that there won't a lot of re-introductions. "The first movie is all about the mystery and reveal of the Transformers as a concept and a species, which means we had to hide them a lot in the first hour. In the second movie, now that everyone believes in the universe, we can jump right into the world of the Transformers." The movie will be firmly rooted in Transformers mythology, but will also maintain the "liberties" taken with it in the first film.
He insists they're listening to fan input, so anything you want to see, now's the time to demand it. I'm going to go ahead and demand Arcee, if only to ponder how Transformers can have gender, and whether she will be pink.
Tropic Thunder held onto the top spot for two weeks in a row, followed by The House Bunny and Death Race. Last week's two other newbies The Longshots and The Rocker took the number 10 and 13th spots respectively. Here's what the top five looked like:
1. Tropic Thunder: $16.2 million 2. The House Bunny: $14.5 million 3. Death Race: $12.6 million 4. The Dark Knight: $10.5 million 5. Star Wars: The Clone Wars: $5.6 million Babylon A.D. What's It All About: Vin Diesel stars in this futuristic actioner as a bodyguard charged with delivering a young woman from Russia to the U.S. Little does he realize that she is hosting an organism that a cult hopes to use to create a new messiah. Why It Might Do Well: While not on a par with this Summer's biggest flicks, Babylon A.D. represents the last gasp of the season's eye candy movies and it's getting a really wide release. Why It Might Not Do Well: Those thinking this might be a big screen version of Babylon 5 may be in for a disappointment. Also, with five reviews in, Rottentomatoes.com is giving this 0% rotten as of this writing. Number of Theaters: 3,200 Prediction: $23 million College What's It All About: Drake Bell from Nikolodeon's Drake and Josh plays one of several high school kids on a college visit looking to party. Hijinks and projectile vomiting ensue. Why It Might Do Well: Someone must feel nostalgic for those bowl-hugging college days. Why It Might Not Do Well: Because part of me wants to believe there is justice in the universe. Number of Theaters: 2,000 Prediction: $5 million Disaster Movie What's It All About: Jason Friedberg and Aaron Seltzer, the writer/director team behind Meet the Spartans, Epic Movie and the Scary Movie franchise go to the well once again with a flick that parodies disaster movies, super hero flicks and various pop culture icons. Why It Might Do Well: Like them or not, Friedberg and Seltzer's movies tend to make a respectable if not stellar profit. Why It Might Not Do Well: Maybe the public has had enough of these things. I can dream, can't I? Number of Theaters: 2,500 Prediction: $11 million Traitor (opens Wednesday) What's It All About: Don Cheadle stars in this tale of international intrigue as a deep cover CIA agent under investigation by the FBI as a possible terrorist. Why It Might Do Well: In addition to Cheadle the impressive cast includes Guy Pearce and Jeff Daniels. Why It Might Not Do Well: Fresh off the Summer blockbuster season, will audiences want a film about such weighty matters? Number of Theaters: 2,054 Prediction: $9 million Box office predictions become a much wilder and woolier proposition once blockbuster season ends, making it all the more exciting if you ask me. Here's what I think next week's top five will be: 1. Babylon A.D. 2. Disaster Movie 3. Traitor 4. Tropic Thunder 5. Death Race
Last week's top five took us all by surprise. Most didn't think Tropic Thunder would take another week at number one, and many expected The Rocker to do better. Here's how we all did: 1. LostinaFog: 7 2. I Eat Robots: 6 2. Romel: 6 2. Smiggy: 6 2. Victor de la torre: 6 2. Mike: 6 2. Adam P: 6 2. Vera: 6 3. Matt: 4 3. Chris: 4 3. Alex: 4 3. Liz: 4 3. Vega: 4 3. Zctop: 4 3. NP: 4 3. Ray: 4 3. VP: 4 3. AJ Wiley: 4 3. Greatone: 4
Post your predictions for the top five movies in the comments section below before 5:00PM Eastern Time on Friday. One point for every top five movie correctly named, two points for every correct placement, and one extra point for the top movie.
As with most any other genre, pitching a thriller seems to go that much more swimmingly once one finds an ideal blockbuster reference point with which to do half of the leg work. It's 'Die Hard meets this', 'Speed on a that', and, when in doubt, just say the damn thing is 'Hitchcockian'.
Post-2001, the likes of TV's '24' and 'Sleeper Cell', and film's Jason Bourne franchise, have tapped into both our political climate and pop culture zeitgeist, into a globe-trotting, gun-toting fear of the here and there and always now. Jeffrey Nachmanoff's Traitor feels like the first film that has itself been directly spawned in the wake of those successes, as opposed to merely being bolstered by it, and while it may overtake, say, Vantage Point in terms of plausible plotting and worldly knowledge, it remains a film that is good enough to grasp the bar and yet not quite enough to raise it.
Can everyone guess where I am right now, and what I'm doing? I'm very thankful that the New Orleans airport has free wireless available while I wait for an airplane crew to show up for my flight, so I can return to sunny Austin. In the meantime, I have a laptop and Internet access and a stack of DVDs to watch. I am prepared. I can watch movies indefinitely if necessary, especially if I can get Hulu or Netflix's Watch Instantly cranked up.
I have a few suggestions for packing / purchasing / (legally) downloading movies to watch on your laptop or other device in an airport or on a plane. Pick at least one or two movies that are old familiar favorites. Sometimes when you're stuck in a terminal with poor food choices, a "comfort movie" can be your very best friend. In addition, I find it difficult to listen clearly to movies on an airplane or even in a noisy terminal (you don't want the sound too loud, so you can hear updates on your flight's delay), so it's best to pick something where you already know what's going on and don't need to catch every last nuance of dialogue. Big goofy action films and physical comedies have an advantage over talkier films where you have to pay attention.
In compiling this list of specific recommendations, I tried to avoid the overwhelmingly obvious choices for watching movies in airports -- personally, I don't want to watch disaster films at times like this, or even spoofs of disaster films like that timeless comedy Airplane. The Terminal and Snakes on a Plane also a little too close for comfort. I thought instead of lighter fare, with scenes that emphasized the fantasy world of airline travel, good or bad, and the magic of escapism. Next time, I'm tucking a few of these in my laptop bag myself.
If ever there was a pairing to hipster fan-boys everywhere; it is Michael Cera and Edgar Wright. Think about it, Cera made a name for himself being the awkward hero, and who can write an unlikely hero better than the man who helped write the Blood and Ice Cream trilogy? In an interview with Wizard Universe, Wright got the chance to update the status of his indie-comic feature, Scott Pilgrim vs. the World (if you have also been waiting with bated breath for news on his Ant Man adaptation, there are a few tidbits to be had as well). So if you were worried that Pilgrim would fall by the wayside in the light of some of Wright's other projects, fear not, all is well in Pilgrim-land.
The original series was about a young Canadian and wannabe-rock star who falls for an American girl with the memorable name of Ramona V. Flowers (aka, the perfect girl). But in order to win the lady fair, our slacker must defeat her seven evil ex-boyfriends in hopes of winning a date with his dream girl. Cera plays Pilgrim, the bassist for the terribly titled band, Sex Bob-Omb, and Mary Elizabeth Winstead will star as Ramona. Wright isn't counting on making any more sequels the film as the comic was originally a 6-part series. Instead, Wright told Wizard that, "The script that we've written essentially covers all six. If it was at the level of Harry Potter we might be able to talk about doing six films but in this case our film is very much an adaptation of the entire six."
It comes as little surprise whenever a studio decides to kindly remove a film from a director's hands -- the situation with Lionsgate's treatment of Punisher: War Zone still smells fishy from this end -- but while most filmmakers would proceed to bite their tongues and salvage their careers, Mathieu Kassovitz begs to differ on his own film, the Vin Diesel vehicle Babylon A.D., which opens this Friday in an all-too-familiar August dump situation (joining it on the marquee: alleged comedies Disaster Movie and College).
In an exclusive interview with AMC's sci-fi blog, Kassovitz admits that a troubled production and comprised final cut (at least in the States, although reviews from elsewhere aren't much kinder) are responsible for turning his adaptation of Maurice Georges Dantec's futuristic novel into "pure violence and stupidity... like a bad episode of '24'."
As I exited the screening of Traitor, the terrorism thriller starring Don Cheadle that opens on Wednesday, I noticed something odd in the closing credits: story by Steve Martin and Jeffrey Nachmanoff. The second guy is the film's director. But that first guy ... Steve Martin? TheSteve Martin?
I knew the one-time Wild and Crazy Guy was a renaissance man. In fact, lately I've enjoyed his writing, which is clever, nuanced, and intelligent, more than I've enjoyed most of his movies. He apparently is not as selective about his film projects as he is about his writing. His novella The Pleasure of My Company is one of my favorite recent books, and Shopgirl (which was made into a film) is another surprisingly emotional gem.
But a terrorism thriller about Muslim extremists and FBI investigations? Even with the understanding that "typical Steve Martin" territory extends much further than the casual fan might realize, this was not typical Steve Martin territory. Checking out the film's website, I found this explanation:
"Traitor began its journey to the big screen when Steve Martin presented an intriguing idea to producer David Hoberman while they were working together on the blockbuster comedy Bringing Down the House. Martin's "what if?" scenario immediately captured Hoberman's imagination with its provocative contemporary themes and surprising final twist."
The production notes go on to describe Nachmanoff and Don Cheadle doing a lot of reworking of Nachmanoff's script, which had been based on Martin's original concept, so I don't know how much of Martin's idea is in the finished product. (He's also credited as an executive producer.) But either way, as a huge fan of Martin's, it's always exciting to see him do something new. It's also nice to know that something positive came out of Bringing Down the House.
Although we're chalking this up to the overeager and rarely reliable British press (England & Scotland, I love you, but your tabloids are crazy), it bears reporting anyway. According to The Telegraph, Cher is said to be in talks with Christopher Nolan to play Catwoman in the third Batman film.
Says some anonymous studio executive: "Cher is Nolan's first choice to play Catwoman. He wants to her to portray her like a vamp in her twilight years. The new Catwoman will be the absolute opposite of Michelle Pfeiffer and Halle Berry's purring creations."
The same article also reports Johnny Depp as having signed to play the Riddler -- and we all know that isn't true. No one knows which villains will appear in the third film. Even Nolan's participation is still up in the air, despite all of this breathless casting speculation, fan art, and fierce "Will they work in Nolan's gritty real-world setting?" debate.
Now, don't get me wrong -- I actually love Cher and I think she could make a pretty cool Catwoman. But if Nolan does do a third film, and if he does include Catwoman, I want an actress that's closer in age to Christian Bale. I'm not trying to be ageist, it's more that I see Catwoman's career as being a parallel to Batman's, much like the Joker. I want that Batman: Year One story. But should they ever make The Dark Knight Returns (and there was much chatter after Comic Con that Frank Miller and Zack Snyder were at some kind of unofficial agreement on making it, so who knows), I nominate Cher to be the retired Selina Kyle. An older Catwoman deserves someone as awesome as Cher to play her -- not the broken down wreck she was in the book. What do you think, readers? Cher for Catwoman and Nolan, or do you prefer the Angelina Jolie fantasy casting?
I know what you're thinking -- "Well, that's just silly. Why would I want to watch the opening credits of a film?" Well, because these opening credits were designed by Danny Yount. I'm willing to bet you've watched and marveled over his work before. He did the opening credits for Kiss Kiss Bang Bang, Six Feet Under, and the closing credits of Iron Man. His latest masterpiece is RocknRolla, and he's put it up online for you to enjoy on his official site. As far as I'm concerned, Yount is resurrecting a lost art, a care that used to be lavished on movie titles in the glorious golden days of Hitchcock. Watch it, enjoy, and wish that more movie productions would take the time and trouble to hire an artist like him.
We all know that the Internet is the birthplace of nasty rumors. It has been proven many times before that bad word of mouth has the power to cripple a flick. But Fox has been fighting back the naysayers and have debunked a rumor that has been gaining speed surrounding James Wong's live-action Dragonball. Rumors had surfaced over at Film Junk last week that the studio was about to pull the plug on their feature film version of the classic anime. The speculation began when Junk received a tip that "the higher-ups at Fox are not too impressed the footage that has been shot thus far, and are seriously debating shutting the whole thing down. -- the movie supposedly has a budget of over $100 million and I can understand them wanting to cut some losses while they still can."
Dragonball stars Justin Chatwin as Goku (a controversial casting choice to say the least), a hero on a quest to find the "mystical Dragonballs" before the evil Lord Piccolo (as played by James Marsters) can get his hands on them. Also starring are Emmy Rossum as Bulma, Chow Yun-Fat as Master Roshi, and Jamie Chung as Goku's love interest, Chi Chi.
But, for better or for worse, it turns out that it was nothing but a load of nasty innuendo. The official blog for Dragonball has since gotten to the bottom of the whole mess, and according to them, "20th Century Fox states the information reported was false and the film is still scheduled for an April 2009 release." Now, new reports are surfacing that Fox 'loves' what they have seen, and the only reason the release date was pushed back was to ensure enough time for finishing the F/X.
So what do you think? Is Fox's enthusiasm genuine for the much-maligned project, or just damage control gone into overdrive?
I suspect that this trailer for Fast and Furious -- that's The Fast and theFurious, Part IV: Articles Result in Wind Resistance, or 2 Fast 2 Furious x 2 -- just made a wide number of gearheads moist over the triumphant return of Vin Diesel and Paul Walker as they drive fast and glare hard in a combined effort to save their careers.
Diesel and Walker find themselves reunited with Michelle Rodriguez and Jordana Brewster of the hollow but entertaining original, and the whole photogenic ensemble find themselves directed by Justin Lin, a.k.a. the guy they brought in to direct the hollow but tiresome three-quel that none of these actors were themselves a part of (okay, so Diesel made the briefest cameo, yippee for that). The stunts, though, appear to be more along the practical lines of the first two films, so perhaps a happy medium can be struck between their relative entertainment value and the numbing antics of Tokyo Drift.
Fast and Furious leaves skid marks in theaters next June.
It seems the entire comic book and film world "misread" Warner Bros' announcement that they were angling to make Superman's reboot a gloomier one. No one seems to have read the original article slowly enough -- not even MTV, Kevin Smith, Christopher Golden, Jeph Loeb, Steven T. Seagle, or Mark Waid.
It really seemed like we were finally going to get Garth Ennis' Preacher this time -- the dark, funny, and controversial comic book series seemed perfect for HBO. Isn't that what they do, after all? 
I'm not one of those waiting for 
If ever there was a pairing to hipster fan-boys everywhere; it is 
It comes as little surprise whenever a studio decides to kindly remove a film from a director's hands -- the situation with Lionsgate's treatment of 
As I exited the screening of Traitor, the terrorism thriller starring Don Cheadle that opens on Wednesday, I noticed something odd in the closing credits: story by Steve Martin and Jeffrey Nachmanoff. The second guy is the film's director. But that first guy ... Steve Martin? The 
Although we're chalking this up to the overeager and rarely reliable British press (England & Scotland, I love you, but your tabloids are crazy), it bears reporting anyway. According to 
We all know that the Internet is the birthplace of nasty rumors. It has been proven many times before that bad word of mouth has the power to 
